Sebago-Long Lake Music Festival
Deertrees Theater, Harrison
by Christopher Hyde
Laurie Kennedy is stepping down after 30 years as music director of the Sebago-Long Lake Music Festival at Deeertrees Theater in Harrison. The performers, the audience, and even the weather, gave her a rousing send-off on Tuesday with three crowd pleasers, each more exciting than the last.
Carl Reinecke’s long career (1824-1910) as performing artist, conductor, educator and composer, proves the adage that the way to success is to “outlive the bastards.” He continued to write and publish hundreds of pieces of good, traditional music while fads rose and fell all around him. Chances are that anyone who has learned to play the piano has encountered one or more of his pieces.
One of his more unusual works, the Trio in A Minor, Op. 188, for Oboe, Horn and Piano, was given a charming performance by Stephen Taylor, oboe, William Purvis, French horn, and Mihae Lee, piano. The trio’s primary interest is in the contrast and similarity in timbre of the two instruments, which Taylor and Purvis made the most of. The horn, however, had the last word, with a Romantic solo in the finale that was the best, long-limbed melody in the work.
Reinecke shows his musical imagination in phrases begun by the duo and finished by the piano. He even allows himself to get a bit jazzy, but not too much, near the end of the final movement.
The trio was followed by Dvorák’s String Sextet in A Major, Op. 48 (1878), full of memorable Czechoslovakian dances that sound just like folk music but aren’t. Dvorák even quotes himself with a theme from one of his earlier Slavonic Dances during the fast and furious Furiant, which serves as the third movement of the sextet.
The final theme and variations, which begins thoughtfully and ends with a bang, included a lovely cello solo by Bonnie Thron.
The festival musicians, including Kennedy on viola, saved the best for last: a captivating performance of Mendelssohn’s Sextet in D Major, Op. 110, one of the most exciting and accessible pieces ever published. Written when the composer was 16, It is not a sextet at all but a piano concerto with string accompaniment, played brilliantly by Mihae Lee.
The strings, however, are not merely an afterthought, but provide a perfect frame for display of the virtuoso piano part, The bass especially, played by Volkan Orhon, grounds everything perfectly. And during the final movement, the young composer suddenly realizes that he has been neglecting the rest of the sextet and gives them a space of their own for a few bars.
While the piano part is derivative, quoting Mozart and Beethoven, it is as thoroughly satisfying as if Mendelssohn had devised it entirely by himself, He also inserts his own ideas, especially in the crazy off-kilter Minuet, which seems to have been based on “Three Blind Mice.”
The sextet received a roaring, foot-stomping standing ovation, while Kennedy, having received a bouquet, offered it to each of the other musicians to sniff. Meanwhile, the rain on the roof of Deertrees Theater, an acoustical marvel, continued its own muted accompaniment.
Next up. Percussion at Salt Bay, Aug. 14, 2015