Bowdoin International Music Festival
June 29, 2018
by Christopher Hyde
The first of what used to be called “Festival Fridays” at the Bowdoin International Music Festival, took place June 29 in Studzinski Hall rather than the larger Crooker Theater, where they had been performed for many years. The change of venue, and the addition of reserved seats, seems a step forward, in terms of both acoustics and ambience. The stage is not large enough for the festival orchestra, whose programs will continue to be held at Crooker.
The evening began with a work by Ravi Shankar, which inspired a devout wish that he had written more for flute and harp, such as “L’Aube Enchantée sur le Raga ‘Todi,’” than for the Sitar. One can only imagine the difficulties of producing raga-like pitch relations on a pedal harp, let alone the intricate meters of the music, but harpist June Han managed it with surpassing ease. (Her gilded harp was a work of art in itself.)
The “melody” of the work, written for flutist Jean-Pierre Rampal, was carried with bravura by Laura del Sol Jiménez, whom we heard most recently in the outstanding Bach Virtuosi Festival performance of the Brandenburg Concerto No. 4.
Almost as unusual in its own way was the Violin Sonata in B Minor of Ottorino Respighi (1879-1936), played by sisters Almita Vamos, violin and Eugenia Monacelli, piano. While looking back to the late Romantic era, the sonata also combines Respighi’s fascination with the Baroque and his skill at painting tone poems, such as “The Pines of Rome.”
What made this reading special—causing cheers from a large audience of students—was the singular rapport of the musicians, who seemed able to respond to each other’s most intimate thoughts. H.L. Mencken used to proclaim that the most important characteristic of a great musician, such as Brahms, was brains. Intellectual ability, as well as musicality, marked both the work and its performance.
The evening ended with a magical performance of the Brahms Piano Trio No. 3 in C Minor, Op. 101, by David Bowlin, violin, Amir Eldan, cello and Pei-Shan Lee, piano. The work has everything that makes Brahms special, plus brevity. After hearing the ensemble in the low to mid registers, I would not have cared if Brahms never penned another treble note.
Next Friday’s concert will take place at Crooker, Theater, where the Festival Orchestra, under Angel Gil-Ordóñez, will play Tchaikovsky’s Variations on a Rococo Theme, Op. 33, with Narek Hakhnazaryan, cello.
Christopher Hyde is a writer and musician who lives in Pownal. He can be reached at email@example.com.