The Oratorio Chorale’s concert, on Nov. 21 at Woodfords Congregational Church, will be devoted to youthful music by three child prodigies: Mozart, Mendelssohn and England’s greatest composer, Henry Purcell (1659-1695).
The Purcell anthem selected by music director Emily Isaacson, “O Sing Unto the Lord,” is thought to have been composed when he was 14, although it is difficult to date many of Purcell’s compositions. (Even the name of his father is in dispute.)
Purcell died at the age of 46, Mozart at 35 and Mendelssohn at 38. There is a Romantic tendency to associate early death with musical genius; think of Schubert, Schumann, Chopin, as well as the above, but I’m not sure the facts bear that out.
In Purcell’s time, when people married at 12 and became admirals in the British Navy at 14, (those of Family, with good connections at Court) 46 was a ripe old age. Life expectancy was about 35. Mozart may well have been poisoned, and Mendelssohn worked himself to death, perhaps overcompensating for the death of his beloved sister, Fanny.
Schubert, like Beethoven and Schumann, died of syphilis, and Chopin of tuberculosis. Perhaps, as some have suggested, we owe a large number of masterworks to disease.
Neither is early genius a predictor of early demise. St.Saêns, who could play all of the Beethoven sonatas from memory before he was a teenager, is one example. A Renaissance man, he started composing at age 6 and died at 86.
It is customary to lament what might have been, had composers not departed this earth so soon, but I’m not sure that we have lost that much. Perhaps they had already said whatever was on their minds. Music channeled from the beyond by various mediums generally leaves something to be desired.
On a more serious note, it is quite possible that the quality of their compositions might have declined with age. I’m thinking of the Romantic poet Wordsworth, who, unlike Keats and Shelley, lived to be 80, writing more and more pedestrian boilerplate after a brilliant youth.
The Oratorio Chorale concert will include Henry Purcell’s, “O Sing unto the Lord,” the Felix Mendelssohn Chorale: “Jesu meine Freude,” written when the composer was 16, a Mozart Te Deum, written when he was 13, and Christopher Staknys’ “The Window,” a premiere of his newly written choral work. Staknys, who recently entered Juilliard, is already known as a piano virtuoso. He will play Chopin’s Concerto No. 1 in E-minor with the Maine Chamber Ensemble.
The concert will be repeated on Sun., Nov. 22, at 3:00 p.m. and 6:00 p.m. in the Seventh-day Adventist Church, Brunswick.