April 16, 2016
by Christopher Hyde
Portland Ovations’ blockbuster event, The Illusionists (April 15 and 16 at Merrill Auditorium), brought together some of today’s most popular magicians in a show that was… well, magical. Like most other people, I enjoy magic tricks, so I went without intending to write a review, simply to be amused and mystified.
The show did all that and more —The Trickster, Jeff Hobson, is also a great comedian, with an amazing ability to pull straight men out of the audience—but I was also impressed by how much of a role music played in the performance. The program even lists the company’s composer, Evan Jolly.
A lot of it, emanating from a control room that looked like the command center of a nuclear submarine, was way too loud, but the volume only added to the effects, the first of which was that primary skill of the magician, mis-direction.
The second was to create a rainbow of atmospheric and emotional effects, including extreme tension, martial arts, wistfulness, including a not-too-bad piano rendition of “Claire de Lune,” macabre humor, for Dan Sperry, the Anti-Conjurer, whose persona is a spaced-out zombie with a hipster attitude, circus music, and finally, a sense of wonder, at the final snowstorm created out of a paper napkin by The Inventor (Kevin James).
If there had been an elephant to disappear on stage, Jolly would have come up with an appropriate score.
It was all very effective, especially as Andrew Basso (The Escapologist) struggled, submerged for two-and-a-half minutes, to free himself from a water-filled tank, like Houdini.
One thing about the performance concerned me for the future of magic, and that was the portrayal of the action on a huge screen above the stage. The image was so colorful, clear and sharp, that it took one’s eyes away from what was happening live just below it.
I know, more mis-direction, plus the ability to let everyone in a large auditorium see the action.
However, to an audience accustomed to movie and video special effects, what happens on a screen is often absent the sense of wonder, since any illusion can be accomplished electronically with the push of a button. Magic, like music, is best experienced live.
The beauty of live magic is that it restores, without computers or other paraphernalia, a sense of wonder at what man or woman can accomplish unaided.
What we do now without thinking about it—- fly through the air on metal birds, or converse face to face with magicians in other countries– would have gotten our not-so-distant ancestors burned at the stake. But we’re not doing it ourselves, and, like the Sorcerer’s Apprentice, we don’t even know how it works.
Christopher Hyde is a writer and musician who lives in Pownal. He can be reached at firstname.lastname@example.org.